Performances of cargo and the material unconscious of global economy.
Listening is considered as activism where radio amplifies the sounds of ephemeral social networks.
The significance of staging Shakespeare in the Pacific
A summary of a recent research project exploring disability, sustainability and resilience.
An examination of stasis and movement in Version 1.0's performance of 'The Disappearances Project'.
A collaborative performance following the mobility of carbon from coal and forest to fire and power.
A panel discussion about art, disability, and the role of aesthetic experimentation.
Mapping responses to local Indigenous stories, spatial narratives, & sites of cultural significance.
The unbearable heaviness of mobility.
The elision between place and a person.
Paper with dance/film extracts exploring mobility as a dynamic continuum of densities.
Context and reflections on bit-u-men-at-work.
Multimedia presentation of a 400-day research-performance on bicycles, documenting free food.
An exploration of 'unsteady' cultural belonging.
Screening of Performance Art in the Natural Environment
The performative power of image-making and image-viewing
Theatre in the age of smartphones.
An installation responding to Kim Donaldson’s 'From the Lecture - A Reminder of Life' (1996)
Performance for an audience of 10 forging a path between identities, places and states of awareness
A performance score/workshop about moving along paths different to our habitual ones.
A paper exploring the Playback Theatre of 'Freedom Bus' traversing the West Bank and East Jerusalem.
The intersections of performance, disaster, and resilience.
A landscape protagonist, a (mostly) self-guided tour, a collection.
Rehearsing Catastrophe: on play and possibility.
A responsive, time-based, narrative experience that moves across media, bodies and technologies.
A paper discussing blind people guiding a sighted audience to explore visual art experiences.
Text as a mobile and transmutable entity in a fluid relationship between performers and audience.
A paper discussing performances that highlight socially produced immobilities.
Mobile public gestures escape categorisation and challenge ideas.
Performance design within a globalised condition of proliferating borders.
A slow observational walk down Swanston Street, visually translating public sculptures.
The rise of interplanetary performance.
O-T-D is an encounter between asylum-seeker artists and people in the societies they reach.
A social event involving shared ceramics and refreshments reflecting upon the 10-minute workplace tea break
A presentation discussing the non-translatable in relation to choreographic practice.
A dialogue with Iranian asylum seekers and refugee artists on their making a film in Melbourne.
Performances uttering distances between body, astronomic, geologic and atmospheric events.
A performance paper on motion and stillness, time and travel – on a train.
A wander up Edgars Creek in Coburg North with Karina Quinn.
Interrogates the labour and mobility of an invisible female body through a durational performance.
A reflection on the experiences of performance scholars working internationally.
An overview of the Tour of All Tours, its principles, delivery and reception in Europe and Asia.
A silent, creative practice research situation
This paper focuses on the body as the ‘invisible heart’ of Minimalism.
The notion of legibility is explored in relation to the city and its publics.
A sculptural overlay punctuating motion pathways built into the interiors of cultural institutions.
An artists’ roundtable exploring the role of travel in the practice of making performance.
Performance installation for two people to explore balance through a movement to sound jam.
A Performative Lecture on Migrant Mobilities.
An experimental dance project exploring ‘trans-nationalism’
Community, diversity and mobility in Rimini Protokoll's '100% Melbourne' and rawcus' 'Catalogue'.
Questioning where we walk and whose footsteps we follow...
an alternative register, a record of language, an account of names.
Means of shaping experiences of transit and making passage.
This paper looks at recent projection works of Kris Verdonck in terms of his framing of immobility.
Gardening with Intermediate Bulk Containers and geo-locative, online networks
This paper will highlight the possibilities of working with moving screens and mobile audiences.
A paper on affective labour in contemporary art practice and global presentation.