ABOUT
PROGRAM
TRACES gallery expositions
A FEW STEPS NOT HERE NOT THERE
BEHELD
CRUISING (A JOURNEY INTO CULTURE)
FAULT
FRICTION ATLAS
HOUSE OF WISDOM
O-T-D#2 ORIGIN-TRANSIT-DESTINATION
PAN & ZOOM
REMOTE VIEWING
ROBE/S
SAL DE SAL
TAKING A LINE FOR A WALK
TOWN CROSSINGS
WALKING UPSTREAM: WATERWAYS OF THE ILLAWARRA
PASSAGES mobile performances
A TRUE GARDEN
BIT-U-MEN-AT-WORK
CROSSINGS
MALAYSIA AUSTRALIA RAFT PROJECT (MARP)
NIGHT WALK
NOW AGAIN
PORTABLE KOMUSO TEMPLE COMPOSITIONS
REPEATING SILENCE
TECHNOPIA TOURS – WORKING MELBOURNE
THE TOUR OF ALL TOURS
VERY LOCAL RADIO (IN FOUR MOVEMENTS)
WALK ON FALLOW LANDS #2
WALK WITH ME
ASSEMBLY symposium events
ASSEMBLY symposium events
An Anecdotal Account of Transnational Performance Scholarship
BIT-U-MEN-AT-WORK: a desiring machine
Collective Body Melbourne
Craftivism and the Menstrual Fluid States of Casey Jenkins
Critical interventions in the legible city
Cycles of dispersal and coherence
Dance, Sleeping and Surrender: Lost in Translation
Dark Telephony
Disc-Course
Environmental Walking to Sensuous Performance
Epistemology of Cargo, Part 2
every/nowhere
FINDING MY CITY IN YOUR CITY
Flux Aeternus
Forced Mobility within a Mobile Performance Structure: Australian Performance Exchange’s ‘Origin-Transit-Destination’
iC2 Walk: The Blind Leading The Sighted
iC2: The Blind Teach The Sighted To See
In Freedom’s Name… transversal encounters on the borderline
In-mobility: On limens, free falling and our escape from Earth
Interpretive Wonderings
Jamming Gravity #2
Journeys across the Philippine archipelago: co-performative accounts of disaster and resilience
Layne Waerea as Itinerant Female-Maori-Artist-Activist (of sorts)
Lecture, This Way
Migrant Mobilities: Cruel Optimism and the Case of AJ D’Cruz
Mobile Strategies: Cage, Rauschenberg, Paxton and the ‘Body’ in mid-century Minimalism.
Mobilising Cultural Resistance: Palestinian Theatre Practices in Sites of Extreme Contention in the West Bank
Mobility, Immobility and The Disappearances Project
Moving Screens: gateways between the material and immaterial
On Mobility and Context
PAN & ZOOM (presentation)
Performing Immobility / Protesting Immobility
Performing Mobiles: Smartphones and Theatre
Petition
Plotting and gleaning a restless site
Retracing steps: mobility and the debris of history
Roots and Leaves: Mobilising Community Gardens
Seeking Asylum, Staging Withdrawal
SETTING FOR RESETTING (installing gaps)
SMOKO
SPANE: Threshold
Stills in Fast Forward: Kris Verdonck’s austerity projections
Storytelling and Performance Workshop
Take A Long Line
The art of free travel
THE DESIGN PLOT
The Last Avant-Garde?: Disability Arts and (rethinking) mobility
The mobility of carbon
The Tour of All Tours (presentation)
The travelling artist as responsible tourist?
Things that move around us, things that move towards us, things that move below us
Unfamiliar Destinations
Unsteady Belongings: Failures to Mob
Val, The Invisible: Walking Whilst Working and Other Invisible Mobilities
Very Local Radio: amplifying ephemeral sound communities
Walking Interconnections: Performing conversations of sustainability
Walking Upstream: Wandering Edgars Creek
Watching Hamlet in the Pacific
Welcome Mat
Where is the Artist: Affective Labour in Live Performance
‘What our mobility makes us’: resisting, registering and making passage through performance
Sarah Rodigari
Where is the Artist: Affective Labour in Live Performance
A paper on affective labour in contemporary art practice and global presentation.
This project part of the ASSEMBLY symposium event Program
