David Thomas & Laurene Vaughan – PERFORMING MOBILITIES http://performingmobilities.mickdouglas.net Mon, 04 Jul 2016 11:16:20 +0000 en-AU hourly 1 https://wordpress.org/?v=5.7.2 http://performingmobilities.mickdouglas.net/wp-content/uploads/webFiles/cropped-PM_ico_02-32x32.jpg David Thomas & Laurene Vaughan – PERFORMING MOBILITIES http://performingmobilities.mickdouglas.net 32 32 TAKING A LINE FOR A WALK http://performingmobilities.mickdouglas.net/symposium/traces_gallery/taking-a-line-for-a-walk/ Fri, 24 Jul 2015 00:37:06 +0000 http://2015.performingmobilities.net/?post_type=traces_gallery&p=1027 Taking a Line for a Walk is a participatory performance work that employs principles of playfulness, participation and colour as a means to make visible the trajectories and duration of transition within and across ‘place’.

David Thomas and Laurene Vaughan draw on previous work to present this performance installation as an outcome of their practice-based conversations on the nature of place, and modalities of articulating invisible/intangible aspects of (spatial) transition. Within this practice, colour is used as a navigation device.

Taking a Line for Walk, extends the artists’ articulation, with the development of a two-part installation/event linking the RMIT Gallery and Margaret Lawrence Gallery in Melbourne. At each site, a series of different coloured and sized lines are stacked in the gallery, presented and waiting to be taken to the streets. Members of the public will be invited to draw their path – a line – from, between or around one gallery to the other gallery. These lines ‘walked’ and thus drawn in space will connect experiences of exteriority and interiority, nature and culture, by making visible the ephemeral experiences and connections of daily life.

The action is not prescribed in a way that participants must make their way from one gallery to another – participants may elect to perform more or less movement – and it is anticipated that, as a public-sited work and situation, there will be a multiplicity of sociocultural engagements. It is part mobility, part encounter.

The project encourages active looking and greater awareness of the spatial practices of mobility. It will be variously documented and represented with small colour images and photographs accumulating in the galleries. No matter what the distance of the journey, the work makes visible individual passages through space, embodied and accompanied, from one location to another.

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Taking a Line for a Walk is a participatory performance work that employs principles of playfulness, participation and colour as a means to make visible the trajectories and duration of transition within and across ‘place’.

David Thomas and Laurene Vaughan draw on previous work to present this performance installation as an outcome of their practice-based conversations on the nature of place, and modalities of articulating invisible/intangible aspects of (spatial) transition. Within this practice, colour is used as a navigation device.

Taking a Line for Walk, extends the artists’ articulation, with the development of a two-part installation/event linking the RMIT Gallery and Margaret Lawrence Gallery in Melbourne. At each site, a series of different coloured and sized lines are stacked in the gallery, presented and waiting to be taken to the streets. Members of the public will be invited to draw their path – a line – from, between or around one gallery to the other gallery. These lines ‘walked’ and thus drawn in space will connect experiences of exteriority and interiority, nature and culture, by making visible the ephemeral experiences and connections of daily life.

The action is not prescribed in a way that participants must make their way from one gallery to another – participants may elect to perform more or less movement – and it is anticipated that, as a public-sited work and situation, there will be a multiplicity of sociocultural engagements. It is part mobility, part encounter.

The project encourages active looking and greater awareness of the spatial practices of mobility. It will be variously documented and represented with small colour images and photographs accumulating in the galleries. No matter what the distance of the journey, the work makes visible individual passages through space, embodied and accompanied, from one location to another.

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